Gagapedia

Tired of the ads? Register on the Gagapedia! (It's free) Have a good day little monster :]

READ MORE

Gagapedia
Gagapedia

The Art of Personal Chaos (also known as the MAYHEM Promotional Tour) was a limited series of concerts by Lady Gaga in 2025, supporting her seventh studio album, MAYHEM. The series featured nine performances across four countries—United States, Mexico, Brazil, and Singapore—marking Gaga’s return to these regions for the first time since her 2012 The Born This Way Ball tour. It began with her headlining performances at the Coachella Valley Music and Arts Festival on April 11 and April 18, concluding with a final show in Singapore on May 24.

The Copacabana Beach concert in Rio de Janeiro, which was free to attend, drew an estimated 2.5 million people, making it the largest performance of Gaga’s career and setting a record for the biggest crowd ever for a female artist. The tour served as a prelude to her subsequent world tour, The Mayhem Ball.

At Coachella 2025, Gaga unveiled a five-act performance exploring themes of duality and inner chaos. Directed by Gaga alongside choreographer Parris Goebel, each act was developed from concept to staging. Critics praised the show’s theatrical ambition, striking visuals, and Gaga’s vocal power, ranking it among her most acclaimed live productions.

The show was revamped for The Mayhem Ball, with new visuals, outfits, a slighty different and expanded setlist, and other kind of changes.

Set list

Lady Gaga Present "The Art of Personal Chaos"

Intro: Manifesto of Mayhem

Act I: "Of Velvet and Vice"
4-11-25 Kevin Mazur 002
  1. "Bloody Mary"
  2. "Abracadabra"
  3. "Judas"
  4. "Scheiße"
  5. "Garden of Eden"
  6. "Poker Face"
  7. Interlude: "Off With Her Head" (with elements of "Abracadabra" Gesaffelstein remix)

Act II: "And She Fell Into a Gothic Dream"
4-11-25 Coachella 028
  1. "Perfect Celebrity"
  2. "Disease"
  3. "Paparazzi"
  4. "Alejandro"
  5. "The Beast"

Act III: "The Beautiful Nightmare That Knows Her Name"
4-11-25 Coachella 042
  1. "Killah"
  2. "Zombieboy"
  3. "Die With a Smile"
  4. "How Bad Do U Want Me"
  5. Interlude: "Dance or Die"

Act IV: "To Wake Her Is to Lose Her"
4-11-25 Coachella 019
  1. "Shadow of a Man" (with outro contains elements of "Kill for Love")
  2. "Born This Way"
  3. "Blade of Grass" (April 26 to May 19 only)
  4. "Always Remember Us This Way" (May 21-24 only)
  5. "Shallow"
  6. "Vanish Into You"

Finale: "Eternal Aria of the Monster Heart"
4-11-25 Coachella 026
  1. "Bad Romance"

Notes:

Inspiration

The Red Queen

The Red Queen

Lady Gaga's The Art of Personal Chaos, a series of theatrical concerts in 2025 promoting her seventh studio album MAYHEM draws on Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871), using the archetypical dichotomy of good and evil to frame its narrative.

The Mistress of Mayhem, Gaga's alter ego, is inspired by the Red Queen and elements of the Queen of Hearts from Carroll's works. This persona appears in the opening Manifesto of Mayhem.

The White Queen, based on Carroll's chess piece character from Through the Looking-Glass, represents positive attributes such as creativity and order, contrasting the Mistress's chaotic persona. Gaga portrays herself as Alice, navigating a dreamlike narrative inspired by Alice's journey through Wonderland, a concept echoed in her 2020 song "Alice" from Chromatica, which references seeking "Wonderland" as a metaphor for escape.

The White Queen

The White Queen

The production integrates Wonderland motifs across its acts. Act I features a chessboard-themed performance of "Poker Face", referencing the chess game in Through the Looking-Glass where Alice progresses as a pawn. The Off With Her Head/Ballroom interlude, remixing "Abracadabra" incorporates the Queen of Hearts' signature phrase from Alice's Adventures in Wonderland. The Mistress of Mayhem incorporates Red Queen-inspired lines such as "Off with their heads!" and "Find her... bring her to me" during performances, drawn from Carroll's texts and adaptations. These elements connect to the Wonderland narrative, reinforcing the production's thematic exploration of identity and fame through a literary lens.

Concept and synopsis

The title card features text styled in .

The title card features text styled in Laura Worthington’s Origins font.

Conceived as a theatrical experience, The Art of Personal Chaos was structured into five acts - Act I: "Of Velvet and Vice", Act II: "And She Fell into a Gothic Dream", Act III: "The Beautiful Nightmare That Knows Her Name", Act IV: "To Wake Her Is to Lose Her" & Finale: "Eternal Aria of the Monster Heart", each exploring themes of fame, duality, and inner turmoil. The show opened with "The Manifesto of Mayhem," a monologue delivered by Gaga and a character known as the Mistress of MAYHEM.

Choreographer Parris Goebel worked closely with Gaga to craft the show’s intricate dance sequences and immersive visual storytelling. Drawing inspiration from opera and psychological drama, the production featured custom-designed costumes and dynamic lighting, each element reflecting different facets of the Mayhem universe. The set design and choreography seamlessly blended influences from Gaga’s past eras with fresh concepts tailored for both live audiences and online broadcasts. This concert series also marked Gaga’s second collaboration with renowned set designer Es Devlin, who previously designed the original theater version of The Monster Ball in 2009.

Manifesto of Mayhem


This is the Manifesto of Mayhem.

The Mistress stands before me, eyes wide and full of wrath.
Her cane held in her right hand, on her left foot, a cast.

“Beware”, she says, “the chaos in your heart will never cease, until you find another way to harness what you seek.”

Her haunting tone, her restless speech, the music of her mouth, her screeching nails and inner life are like a storm: they’re loud.

At once, in all her glory then, we both begin to dance.

My head rolls back, my chest explodes, my hand begins to cramp.
To not know any peace is the great nightmare for us all.
To wake and feel unsettled in a house that has no walls.

So I must sing and build the walls to cradle my own space.
And my own sound will grow the fortress of a home erased.

And her and I, will find a way to live as dueling twins.

But I will know, if in the end, Mistress of Mayhem, wins.

—Lady Gaga

  1. Straitjacket by Dolce & Gabbana and custom hat by Lara Jensen.
  2. Dress by Gyouree Kim.

Act I: "Of Velvet and Vice"

Act I title card

Act I title card

Gaga emerged atop a towering red gown reminiscent of the Tudor era, delivering an orchestral rendition of "Bloody Mary." As the skirt lifted, revealing a steel cage housing dancers, she transitioned into "Abracadabra." Subsequent performances included "Judas", "Scheiße," and "Garden of Eden", culminating in a chessboard-themed "Poker Face," where Gaga and her alter-ego vied for dominance, echoing Alexander McQueen's Spring/Summer 2005 "It's Only a Game" runway show.

  1. Custom jacket by Samuel Lewis x William Ramseur x Athena Lawton.
  2. Custom red dress by Samuel Lewis x Seth Pratt.
  3. Custom green dress by Samuel Lewis x Seth Pratt.
  4. Custom teddy by Samuel Lewis x Seth Pratt and boots by Steve Madden.

Act II: "And She Fell into a Gothic Dream"

Act II title card

Act II title card

Set in a burial ground, Gaga performed "Perfect Celebrity" alongside skeletal figures, including her deceased doppelgänger. An intense sequence followed with "Disease," leading to a poignant "Paparazzi" as Gaga emerged from the grave. For the latter song, Gaga makes references of it's music video and the Alexander McQueen Autumn Winter collection "Scanners". After climbing the set and addressing the audience, the act concluded with "Alejandro" and "The Beast," highlighting themes of resurrection and inner turmoil.

  1. Custom dress by Dilara Findikoglu.
  2. Custom bolero and helmet by Manuel Albarran.

Act III: "The Beautiful Nightmare That Knows Her Name"

Act III title card

Act III title card

This segment embraced a carnivalesque atmosphere. Gaga, in a blue and black ensemble, led performances of "Killah" with dancers dressed as jesters, "Zombieboy" featuring skeleton props, and a solo piano rendition of "Die With a Smile." The act concluded with "How Bad Do U Want Me," as Gaga interacted with the audience amidst vibrant lighting. The MAYHEM zoetrope vinyl can be seen spinning as the video background*.

  1. Custom coat by Samuel Lewis x William Ramseur x Altesa Embroidery and custom helmet styled as crown by Marni.
  2. Custom coat by Samuel Lewis x William Ramseur x Altesa Embroidery on May 3, 2025.
  3. Custom belt by Jonathan Burdine x Iggy Soliven.
  4. Custom coat by Marni, custom catsuit by Marni and boots by Ellie.

Act IV: "To Wake Her Is to Lose Her"

Act IV title card

Act IV title card

The Mistress of Mayhem's search for Gaga initiated this act. A medley of "Shadow of a Man" and "Kill for Love" set the stage for a heartfelt "Born This Way." Gaga then performed "Shallow" at a piano on the B-stage, followed by an intimate "Vanish Into You," connecting closely with fans.

  1. Custom jacket by Louis Verdad x Samuel Lewis and shorts by Los Angeles Apparel.
  2. Sunglasses by Gucci by Tom Ford, custom bodysuit by BXanderV, boots by Steve Madden x Lacey Dalimonte.

Finale: "Eternal Aria of the Monster Heart"

Finale title card

Finale title card

The concert culminated with the Chromatica Ball arrangement of "Bad Romance," where Gaga and her ensemble donned Elizabethan-inspired attire, simulating a medieval medical operation. A recorded speech declared, "Monsters Never Die," signifying triumph over chaos. The show concluded with a collective bow and a fireworks display.

  1. Custom coat, bodysuit and skirt by Matières Fécales, custom boots by Chrome Hearts, custom collar piece by Paul Battenberg-Cartwright for Matières Fécales, and custom gloves by Yaz XL.

Development

Stage Design

The stage was designed by TAIT Towers and Jet Sets.

Lighting & Video Design

The Lighting & Video Design was done by FragmentNine (F9).

Lady Gaga’s triumphant return to Coachella in 2025 sent shockwaves across the world. Heralded as the best Coachella headline performance of all time by a litany press outlets, Gaga’s theatrically inspired show was the epitome of high art at Coachella. Through an incredible collaboration with Gaga herself, Parris Goebel, Es Devlin, Jason Ardizzone-West and more, FragmentNine brought a mix of opera, theater, dance, and edm visuals to the desert. f9, tasked with lighting and video design, amplified Gaga’s narrative driven show to heights not seen before on this scale, or this timeline.

—FragmentNine

Dates

Calendar Dates Subtitle Location City City Globe-green
April 11, 2025 MAYHEM in the Desert Coachella Indio, CA Us
April 18, 2025
April 26, 2025 Long Live MAYHEM
(Spanish: ¡Viva La MAYHEM!)
Estadio GNP Seguros Mexico City Mexico
April 27, 2025
May 3, 2025 MAYHEM on the Beach
(Portuguese: MAYHEM na Praia)
Copacabana Beach Rio de Janeiro Brazil
May 18, 2025 Lion City MAYHEM
(Malay: MAYHEM Singapura)
Singapore National Stadium Kallang Singapore
May 19, 2025
May 21, 2025
May 24, 2025

Broadcast

Both Lady Gaga's Coachella performances were streamed live on the festival's official YouTube channel. Her Rio de Janeiro concert was broadcast live on television by TV Globo and Multishow and streamed on Globoplay, drawing 34.5 million viewers.

Notable Performances

Coachella Valley Music and Arts Festival

Gaga's performances at Coachella were lauded for their theatrical ambition and visual impact. Critics described the two-hour set as a profound commentary on the nuances of fame and celebrity life, structured into five distinct acts that highlighted different aspects of Gaga's evolution. The shows were streamed live on Coachella's official YouTube channel, reaching a global audience.

Copacabana Beach in Rio de Janeiro

On May 3, Gaga performed a free concert on Copacabana Beach in Rio de Janeiro, attracting an estimated 2.5 million attendees. This event became the largest performance of her career and set a record for the largest crowd ever for a female artist and was officially recognized as such by Guinness Book of Records. The production featured a massive stage with a 60-meter-wide LED screen and 16 delay towers equipped with 9-meter-high screens, ensuring visibility for the vast audience. The concert was broadcast live on television by TV Globo and Multishow and streamed on Globoplay, drawing 34.5 million viewers.

Commercial Performance

Tickets for the Mexico City shows saw high demand, leading to the addition of a second date. In Singapore, the first day of ticket presales saw queue numbers exceeding two million, causing website crashes and login issues. Scalpers listed event tickets on third-party platforms at inflated prices, with some VIP packages priced at S$30,000.


Merchandise

MAYHEM in the Desert Collection
Long Live MAYHEM Collection
MAYHEM on the Beach Collection
Lion City MAYHEM Collection

Personnel

  • Production Manager — Chris Vineyard & Jason Danter
  • Tour Manager — Ky Cabot
  • Stage Manager — Chris Organ
  • Show Caller — Claudette Waddle
  • Screens Producer — Loren Barton
Music department
  • Musical DirectionNatural
  • DrumsTosh Peterson
  • GuitarsRicky Tillo, Tim Stewart and Eric Ingram
  • 360 Degree Piano/KeyboardBrockett Parsons
  • Audio programmer/Playback engineer — André Bowman
  • String Arrangements — Steve Sidwell and Lenny Wee
  • Choral Arrangements — Aaron Encinas, Josh Munnell and Andy Delos Santos at Momentum Vocals
  • Choral Conductor — Michelle Jensen
  • Violin — Tuffonix, Juliette Jones, Monique Brooks Roberts, Tianna Heppner, John Pollock, Brandon Encinas and Jaylon Black.
  • Cello — Keith Snow and Peter Jacobson
  • Audio team — Chris Vineyard, Tyler Barber, Paul Ramsay, Bill Malina, Erik Rodstol, Darren Keddy and Fionn Roche.
Fashion department
  • Fashion directorHARDSTYLE: Peri Rosenzweig and Nick Royal
  • Hair Creative directionFrederic Aspiras at Haus of Gaga
  • Hair Key — Elena Gharbigi
  • Dancers Hair stylists — Elena Gharbigi, Odyz Zeuz, Deidra Chattams, LaDawn and Armineh Vartanians
  • Make-up Creative directionSarah Tanno-Stewart at Haus of Gaga
  • Key Makeup Artist — Phuong Tran
  • Dancers Make-up artists — Yvette Evora, Annie Bran, Dee Carrion, Dennese Rodriguez Hermoso and Michael Byron Shepherd
  • Nails artistMiho Okawara
Dancer department
  • ChoreographerParris Goebel
  • Assistant ChoreographersChina Taylor, Gab Robert and Jessica Toatoa
  • DancersVictor Rojas, Ian McKenzie, China Taylor, Jessica Toatoa, Yuli Maldonado, Summer Waikiki, Briana Morrison, Kayla Rae Zimmerman, Tacir Roberson, Starley Anne, Jennique Derousseau, Alaïa (@ya_alaia), Aísha Yaretzi, Ami Takashima, Taylor Amaré Marić, Jade Chynoweth, Bailey Dean Holt, Ashley Kole, Zara Dimmock, Dez Soliven, Mekhi Cuffee, Dre'moni Watts, Jose Tena, Jordan Harris, Michael Ramos, Michael Dameski, Yai Ariza, Zavion Brown, Devin Neal, Shea Evanss, Isaiah Reid and Kelvin Bryan Delgado.
Production department
  • Production Design — Es Devlin at Es Devlin Studio and Jason Ardizzone-West at jAW Studio
  • Assistant Designers for JAW Productions — Sean Sanford, Ethan Brown, Mehula Singh, Christina Shrewsbury
  • Associate Designers for Es Devlin Studio — Scarlett Moloney, Zoe Diakaki, Anna Niamh Gorman, Temitayo Shonibare, Victoria 'Vicky' Bosch Velez
  • Screen Content — FragmentNine
  • Lighting Designer — Jeremy Lechterman at FragmentNine (F9)
  • Video Designer — Jackson Gallagher at FragmentNine (F9)
  • Camera Direction — Micah Bickham
  • Technical Direction — Chris Vineyard & Jason Danter
Video screen department
  • Content Art Director — Ally Munro at FragmentNine (F9)
  • Lighting Programmer — Sam Paine
  • Video Programmer — Sydney Asselin
  • Additional Lighting Programmer — Dane Kick
  • Associate Lighting Designer — Alex Talbot
  • Associate Video Designer — James Gallo
  • FragmentNine (F9) — Pablo Beckett, Alex Campbell, Lily Castellanos, Kevan Looney, Ricky Runfola, Sean Kusanagi, Dan Efros, Rachel Oftedhal, Gabe Firestone, Andrew Gange, Lightborne, Rob Kuhn, Nate Smith, Chaz Hamman, Mike Hankowsky and Lewis Kyle White.
Tours, residencies or concerts as opening act
Headlining tours
Co-headlining
Residencies
Promotional concerts
Supporting act
Related articles Performances
Performances
Haus of Gaga (Dancers - Band) · Notable Moments (career highlights)
Concerts
Performances
  • Festivals
  • Award shows
  • TV shows & specials
  • Radio
  • Web
  • Other
Events
  • Benefit and political
  • Sporting
Guest appearances
Cancelled
By era (chronological)
Stage & props
Interstitial & films