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"Mary Jane Holland" is a song written by Lady Gaga for ARTPOP.

Background

On August 22nd, 2012, Lady Gaga and her then makeup artist Tara Savelo had a little engagement on Twitter about the ARTPOP, which Savelo claims is influenced by marijuana[1].

"nothing like watching @ladygaga in her waspy white sweater and brown hair write the hardest marijuana record of all time. #maryjaneholland"

It is believed that Tara Savelo was talking about the album as a whole[2]. However, it would not be wrong to mention that, most likely, she meant one song particularly, "Mary Jane Holland", since she added its title as a hashtag at the end of her tweet and lyrically the song deals with the description of Mary Jane Holland, Lady Gaga's alter ego who comes out during when Gaga gets high off of marijuana. It means that Lady Gaga might have worked on the song at that period.

Gaga herself then facetiously shared that drugs and Disney princesses are the key inspiration for the album and for "Mary Jane Holland" in particular[3].

"@TaraSavelo well i was going for a more stoned disney princess kinda vibe. not so much?"

Also, Lady Gaga herself gave a hint about the song in September of 2012 at an Amsterdam show of The Born This Way Ball where she introduced herself to the audience as Mary Jane Holland.

As she said in the track-by-track commentary of ARTPOP on Sirius XM, when she was in Amsterdam, she called Madeon, the producer of the song, telling him she had ideas for the album and asked him to send her some material to choose for the song instrumental. She continues, the song gave her inspiration to dye her hair brown which is even mentioned in the first verse. She felt like the world owned her blondness and it wasn't hers anymore. After dying her hair, she went out into the city and had a good time and that gave her even more inspiration for writing the song. She continues stating that she created that alter-ego after smoking weed and getting drunk in clubs and it gave her comfort while being out, she felt like a normal person after a long time and that served as inspiration for the song's chorus.

I wrote this song with Madeon, he’s an amazing amazing DJ from France — amazing producer, amazing, just, musician. He’s very very young and very very sweet, and I absolutely adore him; and when I was in Amsterdam, I called him and I was telling him, you know — I had some ideas about what I wanted to do on the album — and I said, “You know what? Just send me whatever you want.” And he sent me these synth beat ideas, and I was in Amsterdam, and I started writing, and then I dyed my hair brown [chuckles] like, literally, outta nowhere, I was just: “Freddie” — he does my hair — I just said, “Let’s go. Let’s just, I don’t wanna be blonde anymore.” And he said, “How come?” And I said, “I just feel like the world owns my blondeness, and it’s not mine anymore, and I didn’t want to feel owned. And I wanna go out today, and I wanna have a good time, and I don’t want anyone to know it’s me — I just need one night of just, freedom — and I don’t wanna be wearing another fucking wig while I’m doing it.” So, he dyed my hair and I went out, and I just got, super-stoned, and drank a bunch and we went out to my favorite sex clubs and strip clubs and had a great, great time and all night I kept calling myself, “Mary Jane Holland.” And everybody kept calling me “Mary Jane Holland;” so, it became this alter-ego of who I became when I was smoking weed; and, it really became a source of comfort for me — that I could smoke and take something that would really help with my anxiety, and help really bring me down from the pressures of being a star; and, whenever I smoke, I really forget that I’m famous — and that’s maybe not a good thing [chuckles] — but I, I really love that; I really loved just feeling kind of normal, and like I could go out and do whatever I want; and I could be stupid or I could be dumb, or be smart and be fun, and it wouldn’t matter. So, in this record I say, [lyric from Mary Jane Holland] “I think that I could be fine, if I could be Mary Jane Holland tonight…” and it’s, it’s true, I would say to myself, “You know what - if I could just grab a toke, and be a brunette, I think I’d be okay — just for like, one evening.”

Lady Gaga on Sirius XM

The instrumental is based on the track "Revenge" which Madeon played live a few times with an acapella of "99 Problems" by Jay-Z. Madeon sent the track to Gaga in August of 2012. Prior to that, Madeon's publisher sent the instrumental to the band The Good Natured who wrote lyrics and named it "Can't Beat the Machines" (Madeon Remix). This version leaked on June 6, 2012 and was immediately removed as Madeon didn't like it. Madeon further explained on Twitter that "it's not a remix. It's an original unfinished instrumental idea. A songwriter submitted a topline and that's what leaked".

Later when Gaga and Madeon went into a recording studio, Gaga composed a new bridge and recorded some guitars. Madeon later said that "he was glad that he waited for the right person" to finish the song with.

Officially, the song title was revealed by Lady Gaga when she tweeted lyrics of it on August 9th, 2013, around 2:00 PM.

"When I ignite the flames & put you in my mouth
The grass heats up my insides & my brunette starts to sprout
-Mary Jane Holland
"

The snippet[4] of the song was released on October 28th, 2013, on Lady Gaga's official YouTube channel.

Performances

Tour Dates Performances

Lyrics

Album version (4:37)

Lady of the 'dam won't be a slave to the blonde
Or the culture of the popular (she won't, she won't)
Sing at you, I'll fly under radar tonight
Make deals with every devil in sight (I will, I will)

'Cuz I love love, 'cuz I love love
You better than, you better than my darkest sin
Russian hookers
And cheap gin

I think that I could be fine
If I could be Mary Jane Holland tonight
I think we'd have a good time
If you'd meet me Mary Jane in Holland tonight

Mary
Jane
Holland
Whoooh-whoo (puff in)

Mary (puff out)
Jane
Holland
Whoooh-whoo

I don't like to boast but our truffles are the most
Mad magical in Amsterdam (she won't, she won't)
So if you have fear, Apollo sit on my lyre
And play him like a piano man (I will, I will)

'Cuz I love love, 'cuz I love love
You better than, you better than my darkest sin
Russian hookers
And cheap gin

I think that I could be fine
If I could be Mary Jane Holland tonight
I think we'd have a good time
If you'd meet me Mary Jane in Holland tonight

Mary
Jane
Holland
Whoooh-whoo (puff in)

Mary (puff out)
Jane
Holland
Whoooh-whoo

I know that mom and dad think I'm a mess
But it's alright because I am rich as piss
When I ignite the flame and put you in my mouth
The grass eats up my insides and my brunette starts to sprout

Introducing
Ladies and gentlemen
Mary Jane Holland

I think that I could be fine
If I could be Mary Jane Holland tonight (I think we'd)
I think we'd have a good time
If you'd meet me Mary Jane in Holland tonight

Mary
Jane
Holland
Whoooh-whoo (puff in)

Mary (puff out)
Jane
Holland
Whoooh-whoo

Mary
Jane
Hollands
Whoooh-whoo

Mary
Jane
Hollands
Whoooh-whoo

Demo version

These abnormalities are corrupting the minds and the hearts of our children
Crime, and violence

I need to respond, won't be a slave to the blonde
Or the culture of the popular
Sing at you, I'll fly under radar tonight
Make deals with every devil in sight

I think that I could be fine
If I could be Mary Jane Holland tonight
I think we'd have a good time
If you'd meet me Mary Jane in Holland tonight

Mary
Jane
Holland
Whoooh-whoo

Mary
Jane
Holland
Whoooh-whoo

I know that mom and dad think I'm a mess
But it's alright because I am rich as piss
When I ignite the flames and put you in my mouth
The grass eats up my insides and my brunette starts to sprout

Introducing
Ladies and gentlemen
Mary Jane Holland

I think that I could be fine
If I could be Mary Jane Holland tonight
I think we'd have a good time (I think that I could be fine)
If you'd meet me Mary Jane in Holland tonight
(Mary Jane Holland tonight)

Mary
Jane
Holland
Whoooh-whoo
(I think that we could be fine)

Mary
Jane
(I think we'd have a good time)
Holland
Whoooh-whoo

Crime and violence

Credits

Writers and producers Lady Gaga and Madeon
Additional production Nick Monson
Recording by Dave Russell and Benjamin Rice at Record Plant, Hollywood, CA Us
Assistant recording Benjamin 'Ben' Rice and Andrew Robertson at Record Plant
Guitars Ricky Tillo
Drum programming Madeon
Mixed by Manny Marroquin at Larrabee North Studios Universal City, CA Us
Madeon at Popcultur Studios, France Fr
Assistant mixers Chris Galland and Delhert Bowers at Larrabee Studios
Mastering Gene Grimaldi at Oasis Mastering, Burbank, CA Us
Published by
  • Sony/ATV Songs LLC / House of Gaga Publishing LLC (BMI)
  • Warner Chappell Music Publishing

References

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